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The starting words of the lyrics "poo maalaye" translates to "Garland". And finally listen how the male and the female voices are interspersed in the middle.
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And how flutes take over from violin, back to tabla and finally merge into the second stanza where Ilayaraja himself starts singing. Look out for how the music changes when it starts raining. The music steps down even further, allowing the lyrics to start and the transition is effortless. Suddenly the music cuts to a softer note as he reaches the valley where his heroine is waiting for him. Hope you didn't miss: The rising start to the song conveys the urgency of the hero, who is running down a hill slope negotiating the trees, to meet his lover. This is a song about the 'lifeless life' of the couple which the lyricist describes in the song using following analogies - "Their life is like a water on a lotus", "Life is not a stage to disperse at the end of the show", "Relationship is not a river to get split into tributaries", "What's the need of marriage if you want to live like friends" Things reach such a pas that the wife eventually asks for divorce as a marriage gift. Situation: Mouna Raagam ( remade in Hindi as "Kasak") is a film about relationship tensions between a husband and a wife. Mouna Raagam (Silent Symphony) - "Mandram Vantha thendraluku" song
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This is followed by a beautiful song composed and sung by Ilayaraja himself.ģ.
Ilayaraja telugu movies list full#
The BGM comes back in full force and hits us on the face when Kamal bursts out in tears and Mani tactfully shifts the camera angle to a top shot which jolts us to the reality of what has happened. And then it vanishes again when he comes near his son. When Kamal starts searching for his son, the sad music in the background adds to the sense of loss. There is a small hint of a music in the background when the action begins. Hope you didn't miss: Till the time Kamal Haasan doesn't realise that something terrible has happened to his son, there is no BGM. Here Kamal Haasan loses his son and now the news is being broken to him. Situation: 'Nayakan' (remade as 'Dayavan' in Hindi) is story of an underworld don in Bombay. Nayakan (The star) - Kamal Haasan's cry after son's death And then, finally, Jaishankar, the only one who knows about the mother-son relationship, gives a 'I-know-everything-but-can't-talk-about-it' look at both of them.Īll this is happening while an extraordinary BGM runs in the background.Ģ. Sri Vidya's painful look at Jayshankar which makes her cry silently again as this time she is looking at a man who is familiar to her. On her part, Sri Vidya acts ladylike and uses her fingers to wipe off her tears discreetly. After the BGM ends, Sri Vidya and Rajnikanth's eyes meet each other, and Rajni turns since he is too macho to break down in front of a woman. Hope you didn't miss: Raja's flute rendition of a train's whistle, followed by train crossing a bridge, and then the start of the BGM.Īlso, you just cannot miss Mani's 'split-second' directional maneuvers with the three.
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But there is one thing that unites them: the sound of a train! Because it reminds the son of being abandoned on a train and the mother is forced to remember her helplessness decades ago.Now listen to Ilayaraja's BGM and Mani Ratnam's direction in this video Both Rajnikanth and Sri Vidya have no idea that they are related. In this scene, Karna (Rajnikanth), an old Kunti (Sri Vidya) and Pandu (bespectacled man played by Jayshankar) are meeting in a temple. Situation: 'Thalapathi' (dubbed as 'Dalapathi' in Hindi) is loosely based on epic "Mahabharata". It is only fitting that we start this list with super star Rajnikanth's Thalapathi, one of the biggest blockbusters of Tamil cinema. On their birthday on June 2, here's a look at 10 times these two greats have come together to cast their spells on us. Together the two have given scores of musical hits that have literally redefined our idea of screenplay and music. Yes, if you are a South Indian film fan, you know this: that the pair of film director Mani Ratnam and music maestro Ilayaraja is the closest you come to absolute perfection. This when they've worked together in close to 10 films, over more than a decade. It is a measure of the power of this magical duo that they've never delivered a dud till date.